The Langloz Manuscript: Fugal Improvisation through Figured Bass (Oxford Early Music Series)

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What sorts of processes were going through the mind of J.S. Bach as he improvised a fugue in three, four, or even six parts? And what sort of training equipped an organist of the early eighteenth century to practice the art of accompaniment and improvisation successfully? The practical method which linked keyboard technique, improvisation, performance, and composition in a continuum was the thoroughbass, the center of the Baroque musicians art. The Langloz Manuscript, originating in the era and proximity of Bach's region of activity, and containing the largest extant collection of figured bass fugues, provides a window into this very process, and demonstrates more clearly than any words can the method by which the art of thoroughbass provided a foundation for extemporised fugue. The present edition is the first publication of this manuscript.

The Langloz Manuscript: Fugal Improvisation through Figured Bass (Oxford Early Music Series) Review

This is a beautiful book from Oxford Press, with tons of illustrations of partimento fugues. This is the method by which many Baroque composers taught students composition and improvisation, and these are a set of pieces to do this with. This was the only method that Bach used, according to his sons. The book is expensive, but then it probably doesn't have a huge audience. I am currently working through it and have found it very useful and fun.

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