Friday, April 15, 2011

Transcending Boundaries: Writing for a Dual Audience of Children and Adults (Children's Literature and Culture)

Transcending Boundaries: Writing for a Dual Audience of Children and Adults (Children's Literature and Culture)

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Transcending Boundaries: Writing for a Dual Audience of Children and Adults is a collection of essays on twentieth-century authors who cross the borders between adult and children's literature and appeal to both audiences. This collection of fourteen essays by scholars from eight countries constitutes the first book devoted to the art of crosswriting the child and adult in twentieth-century international literature. Sandra Beckett explores the multifaceted nature of crossover literature and the diverse ways in which writers cross the borders to address a dual readership of children and adults. It considers classics such as Alice's Adventures in Wonderland and Pinocchio, with particular emphasis on post-World War II literature. The essays in Transcending Boundaries clearly suggest that crossover literature is a major, widespread trend that appears to be sharply on the rise.

Transcending Boundaries: Writing for a Dual Audience of Children and Adults (Children's Literature and Culture) Review

Transcending Boundaries: Writing For A Dual Audience Of Children And Adults is an engaging and informative collection of essays on writers and writing for both juvenile and adult readers around the world. The contributors include Helma van Lierop-Debrauwer (Crossing the Border: Authors Do It, but Do Critics? The Reception of Dual-Readership Authors in the Netherlands); Bettina Kummerling-Meibauer (Crosswriting as a Criterion for Canonicity: The Case of Erich Kastner); Sandra L. Beckett (Crosswriting Child and Adult in France: Children's Fiction for Adults? Adult Fiction for Children? Fiction for All Ages?); Maria Nikolajeva (Children's Adult, Human...?); Zohar Shavit (The Double Attribution of Texts for Children and How It Affects Writing for Children); Carole Scott (Dual Audience in Picturebooks); Roderick McGillis (Ages: All - Readers, Texts, and Intertexts in "The Stinky Cheese Man and Other Fairly Stupid Tales"); Larissa Klein Tumanov (Writing for a Dual Audience in the Former Soviet Union); Paula T. Connolly (Crossing Borders from Africa to America); Adrienne Kertzer ("What happened?": The Holocaust Memoirs of Isabella Leitner); John Stephens (Maintaining Distinctions: Realism, Voice, and Subject Position in Australian Young Adult Fiction); Alida Poett (Crossing Borders: Calvino in the Footprints of Collodi); Lena Kareland (Two Crosswriting Authors: Carl Sandburg and Lennart Hell-sing); Lissa Paul (Postmodernism Is Over. Something Else Is here. What?). Highly recommended for personal and academic studies in children's literature, history and criticism, Transcending Boundaries is enhanced for the reader with a selected bibliography, index, and a section of biographical information about the editor and the contributors.

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